Enjoy music with Music Balloon USB speaker

Have you ever had some problems cycling and listening to your mp3 player at the same time? It sounds dangerous, but here is a perfect choice which is offered by International’s Music Balloon making it possible to ride your bicycle while hearing what happens from the outside. Being colorful, this intelligent electronic gadget allows you listening to your favorite music safely.

Whether you use iPod or mp3 player, this perfectly looking gizmo can be a helpful for using on a daily basis. The Music Balloon features a battery capable to last for about 5 hours providing you as much comfort as possible.

The Music Balloon comes in five different colors ranging from yellow, red, pink, blue and black. You may easily connect your new gizmo into your PC’s USB port and start listening.

Being a plug and play gadget, The Music Balloon weighs just 20 grams while measuring 55 × 55 × 55 millimeters so it is an ultra portable device. These USB speakers can be easily charged via your PC’s USB port. Once charged, it can give you a new musical experience. The Music Balloon features a 3, 5 millimeters stereo audio jack. These small USB speakers can be bought for $ 76. Looking like a mike, it also comes with an amplifier of 0.7W.

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The three new stylish HP Minis

The Mini Notebook Family has grown up. HP launches new three portable stylish notebooks. Let’s look through them.

HP Mini 110 XP Edition is the first. The ability to satisfy HD picture fans is allocated at the first sight. Mini 110 XP Edition has Crystal HD Enhanced Video acceleration. Also the notebook has 1 GB of virtual memory and 160 GB hard drive. Thorough different possible connection can be allocated presence of WWAN.

HP Mini 110 Mi Edition is made for gourmet users. It is based on Linux operation system and has 2 GB RAM. Consumers can store their information on 250 GB hard drive.

HP Mini 1101 is a good choice for ordinary requirements. Consumers can buy Mini 1101 with XP Home, XP Pro or Vista installed. Also it has a two battery option for those who appreciate time.

The price of the HP Minis with XP or Vista installed is near 330 USD. The HP Mini 110 Mi Edition with Linux costs near 280 USD.

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UPG help the majority of our activities

First think, Firmware is a term sometimes used to denote the fixed, usually rather small, programs that internally control various electronic devices. Typical examples range from end user products such as remote controls or calculators all the way to scientific instrumentation and industrial robotics. Also more complex consumer devices, such as mobile phones, digital cameras, synthesizers, etc., contain firmware to enable the device's basic operation as well as implementing higher level functions. how about File Extension UPG ?

File Extension UPG itself is that it is a firmware upgrade file. necessary to facilitate the update or in other words to help us in treatment. there are some who can update the firmware itself, how many also require a firmware File Extension UPG to upgrade him. device that does not provide automatic upgrade firmare we can download it from the manufacturer website. and we will get Upgrade Firmware.

until this time there is no device that can open a particular file type. File Extension UPG that can be the first solution determine whether the file is distributed from the manufacturer. after you visit this new web site producer, to upgrade the firmware. File Extension UPG is needed to save our time, as well as assist us in all the work and activities.

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Pentax X70 Review

The ultrazoom category is a force to be reckoned with in today's market. Not only do these cameras offer a wide- to telephoto focal range; they cost less than a dedicated SLR. The Pentax X70 is a 12 megapixel powerhouse with a 24X optical zoom, the first entry from the same company that manufactures the formidable K-series of DSLRs.

The X70 has some interesting features jam-packed into a DSLR-like body, including a 12-megapixel CCD sensor, 24X zoom with a focal range from 26-624mm, high-speed continuous shooting of up to 11 fps, Super Macro Mode for getting as close as 1 cm from your subject, and HD movie capture at 1280x720 at 15 frames per second.

FEATURES OVERVIEW

The strongest feature of the X70 is the optical zoom range, giving you a pure, unadulterated 26mm wide to a super telephoto 624mm. What's also different about the X70 is the amount of user control it offers, including Manual (M), Shutter Priority (Tv), Aperture Priority (Av) and Program (P) modes to control nearly every aspect of the shooting process.

But to get into the nitty gritty of the camera, and some of the features that make the X70 unique, here's a run down of what it's got...

24X Optical Zoom: The most powerful feature of the camera is its optical power. The ability to zoom from 26mm, which will give you a nice wide landscape, to a 624mm telephoto, letting you hone in on subjects far from the camera, is a boon when you want to get both kind of shots with only one camera. The X70 allows you to do so.

Triple Shake Reduction: With such a powerful zoom range there usually comes a tradeoff -- blur at telephoto lengths. Pentax's proprietary Shake Reduction technology utilizes an image stabilization system that uses a gyro sensor to recognize camera shake and compensates by shifting the CCD to prevent blur. The second system in place is digital stabilization that works by bumping up the ISO. Both methods work well to keep camera shake from ruining a shot. The third SR is Movie SR, which is used for video capture.

LCD: The X70 has a large, high-res 2.7 inch TFT color LCD with anti-reflective coating and a 230,000-dot resolution, as well as an Electronic Viewfinder with an impressive 200,000-dot resolution.

Fast Continuous Shooting: Also impressive is a burst rate of 11 fps JPEG shooting up to 21 frames before the buffer memory needs to be cleared, allowing you to capture the action without missing a shot.

HD Movie: The X70 captures HD video at a resolution of 1280x720 at 15 fps, which is interesting, because most HD capture in compacts is 24 or 30 fps. The camera also captures VGA resolution video at 848x480 at 30 fps.

Face Detection: This feature captures up to 32 faces in 0.03 seconds. Smile Capture detects when your subject is smiling, and Blink Detection will let you know if the subject's eyes are closed before you press the shutter. This function works great if you are shooting kids or a large group photo.

Exposure Modes: The X70 has four exposure modes, including Program AE, in which the camera selects the best aperture and shutter speed automatically for you; Aperture Priority; Shutter Priority; and Manual, allowing photographers to select their aperture and shutter speed.

Auto Bracketing: With this function you can set the camera to capture three simultaneous exposures, one that is under, one over, and one in between, so that you can choose the right exposure, or even stack them together later for high dynamic range photography.

Styling and Build Quality
The X70, much like other cameras in the ultrazoom category, is somewhat of a mini DSLR. That being said, it is not exactly a pocket camera. It is similar in design to offerings from both Olympus and Fujifilm in form factor and overall dimension, measuring 4.4 x 3.2 x 3.9 inches (WxHxD) and weighing in at 13.8 oz.

Ergonomics and Interface
Picking up the X70 is similar to handling a DSLR. It has a similar right-hand grip and a protruding lens that you would typically place your hand on to zoom with, except that with the X70 you obviously can't do this with the barrel.

The placement of the controls, including the mode dial on the top right of the camera, is very reminiscent of an SLR. The top of the camera features the mode dial which allows between movie and manual mode, the on/off button, the shutter with the zoom lever, and the Exposure Compensation button that lets you choose the compensation value, shutter speed and the aperture value. Also on the top of the camera is a button that lets you pop up the flash.

Display/Viewfinder
In most of the reviews that I have written for DigitalCameraReview, I have criticized the EVF as mostly a useless feature that is clunky and just takes up more space on the back of a camera. In the case of the X70, the 200,000 dot resolution viewfinder is fast, accurate, and very similar in responsiveness to the Panasonic G1 (which set the bar high for EVF because of its speed and accuracy). The X70's EVF works great, and displays all the shooting information through the viewfinder. The LCD also works well. Measuring 2.7 inches with a smudge resistant coating, it plays back images accurately with 230,000 dot resolution.

PERFORMANCE

Timings and Shutter Lag
While the X70 is not a speed demon, the lab testing gave us pretty standard results. AF was slow, especially with the lens fully extended, making the zoom lens creep to find focus. When you'd like to shoot an image quickly, this becomes very annoying.

Auto Focus
The X70 uses a contrast-based AF system with 6 different options. The Standard AF works for most shooting scenarios. The second AF mode, Macro, offers a focusing distance of 4 to 20 inches for close pictures of your subject. One of my favorite focusing options for the X70 is the 1 cm Macro mode, allowing you an extreme close up of your subject within a centimeter away. This is a unique and helpful option that gives you an incredible level of detail.

Infinity AF is optimal for taking images of distant objects and still being able to keep most the frame in focus. There is also a Manual Focus that lets you set your own focus, and an AF Area Selection that lets you select a specific area to focus the frame with 25 user selectable points.

Lens and Zoom
Although the X70 doesn't have the highest optical zoom power in its class (other manufacturers have models with 26X), it provides a wide range that appeases all types of photographers. Based on a 35mm equivalency, the camera's focal distance ranges from 4.6-110.4mm (26-624mm) with an aperture range of ƒ/2.8-5.0.

Flash
The X70 has a pop-up flash with various settings, including Auto, Auto with Red-eye, Flash on + Red-eye, Slow-speed Sync and Slow-speed Sync with Red-eye, which can be changed by clicking the left arrow button on the four-way controller. It has an effective range of 29.9-ft (wide, auto ISO) to 16.7-ft (tele, auto ISO).

Image Stabilization
Image stabilization is called Triple Shake Reduction (coined by Pentax), and uses a CCD-shift or another form of digital and a high-ISO setting to prevent blurring. Shake Reduction can be hit or miss in the X70, depending on your focal length. That being said, shooting at the wide end of the lens will produce less blur issues if there is enough available light. When using telephoto lengths, however, real problems crop up.

Shake Reduction can be accessed through the Rec. menu, and there is also a Digital SR option on the mode dial. Overall, the camera worked fine at the wider focal lengths, but at telephoto I encountered a few problems and ended up with some overexposed images.

I found the Movie SR for shooting video mostly useless because the video captured with the X70 is sub-par, but I'll get more into that later.

Battery
Battery life on the X70 depends on if you shoot video or stills. The X70 uses a lithium-ion rechargeable battery that comes with the camera, and according to CIPA-compliant testing, 170 stills can be captured if half of these images are used with flash. My field-testing, with only about 10% of my shots using flash rendered about 250 or more stills.

However, battery time drained quickly when the 11 fps continuous shooting mode was employed or when I shot HD video. Overall, field-testing was similar to Pentax's in-house testing.

CONCLUSIONS
The X70 offers a lot in the way of control and focal length, but is it worth the $400 price tag? Most ultrazooms are running at this same price point, and most have fared considerably well on this site, but the X70 is a great camera that offers a lot of control similar to a DSLR. Not only can the X70 take you from extreme wide-angle to super telephoto with one lens, it does so with the ability to take control of nearly every aspect of shooting.

In comparison with the Pentax K2000 DSLR, you can purchase this camera with two kit lenses, including the 18-55mm & 50-200mm for $649 from their Web store, giving you a zoom range of 18-200mm, which still can't touch the 624mm tele on the X70. For $250 more, you get a larger sensor, bigger camera and a larger quiver of lenses.

Depending on your experience with photography and your budget, the X70 is a worthy competitor in the growing ultrazoom market, and after using quite a few over the years, this camera by far exceeds where the others have failed. If you have the dough to move up to DSLR photography, then by all means do it. Nothing beats a good DSLR. If you're a dedicated shutterbug and want a camera with all the focal power you'll ever need in one place, the X70 is your camera. This is even a great intermediary camera for the casual shooter who wants to move up to a better class of camera than a typical point-and-shoot. All things considered and tested, the Pentax X70 is a worthy competitor in the ultrazoom market.

Pros:

* Good image quality and performance
* Exceptional focal range
* Great low-light performance
* Advanced manual control

Cons:

* Poor HD video quality
* AF is slow
* Overexposed images at longest focal lengths
* No RAW support

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Olympus E-620 Review

What happens when entry-level is no longer entry-level? We've been pondering this quasi-philosophical question for awhile - ever since the major players in the DSLR world went from building one camera under $1000 to rounding out a lineup with two or three models in this segment. By what standards do you judge a camera that sits squarely between the once-clear consumer and enthusiast categories? For that matter, what do you even call these new "higher than entry-level but not quite prosumer" cameras?

With two DSLRs already positioned squarely in the entry-level category, as well as a recently released prosumer model, we were a bit surprised to learn that Olympus would be the latest manufacturer to add a mid-level camera to their rapidly expanding DSLR stable. On the one hand, with all the buzz around video capture making its way down to this category, the recently announced Olympus E-620 may not strike a chord with gadget geeks looking for the latest thing. At the same time, the inclusion of a slew of new technology developed for Olympus's high-end E-30 suggests that this camera might just have a few noteworthy tricks of its own up its sleeve.

BUILD AND DESIGN
The technologies inside the E-620 will be most familiar to those who know Olympus's prosumer model, the E-30. Size-wise, though, the E-620's closest sibling in Olympus's lineup is the tiny E-420, coming in just slightly larger all around than Olympus's smallest entry-level model. In this way, Olympus's new model does what a lot of upper entry-level DSLRs do, taking key technologies from an advanced model and grafting them into smaller, lighter bodies. But with a footprint almost identical to the nearly pocket-size E-420, the E-620 takes smaller and lighter a step beyond most of its rivals - making it a good match against Panasonic's well-rounded Micro Four Thirds model, the G1, in more than one respect.

Ergonomics and Controls
With its striking similarity to the E-420 - as with basically all current Olympus models, the control layout follows a single system-wide basic formula - navigating the E-620's ins and outs will be simple enough for transitional Olympus shooters. In trying to get up to speed on the control layout, those unschooled in Olympus's user interfaces expressed concerns we've heard before about buttons that are too small and too numerous. Those with big hands may also find the overall ergonomic experience here unrewarding: in spite of the fact that it's both light and provides a much more ample grip area than older "flat front" Olympus DSLRs, the fact remains that there's simply not much unoccupied surface area for your fingers to rest on with this camera.

Even finding the camera's small size and even smaller buttons hard to come to terms with, I was able to quickly re-adapt to Olympus's way of doing business. As we've said over and over, serious shooters tend to come to appreciate what may seem at first blush like "button clutter" to the uninitiated: in the case of the E-620, button position is generally logical and accessible (though I will note that I don't like the fact that the flash settings button, which sits on the top deck to the left of the flash and prism, can't be actuated with your right hand), and having direct access to commonly changed exposure and performance settings is an asset rather than a liability.

Menus and Modes
Continuing a theme from the previous section, Olympus menus can be a bit of an "acquired taste." The E-620's page menus can be a bit difficult to deal with in spots: things aren't always where you might expect to find them when it comes to the gray area between what's a shooting option versus a master or "setup" option, for instance. But while Olympus hasn't fundamentally reworked its UI structure, they did improve things by allowing you to turn off the advanced settings menu - significantly de-cluttering the menu structure when it's disengaged - as well as replacing the visually ambiguous wrench icons for setup menus with a more universally understood gear pictograph for setup options. And we can always hope that some small refreshers this time around on an interface that his been essentially unchanged for years signal a significant overhaul in the offing.

What continues to work well, though, is the E-620's shooting status display, which uses the LCD to provide a wealth of information about the camera's settings. As best we can tell, pretty much every conceivable option - from ISO to image size to noise reduction aggressiveness - is represented on this display, and you can use the d-pad to move around within this interface and change settings as desired. The sheer quantity of information in the E-620's snapshot view can be a little overwhelming, but this kind of quick access to major and minor functions tweaks alike sure beats digging into the menus.

Like most consumer DSLRs, the E-620's modes are a mix of novice-friendly auto exposure options and deep-level control for enthusiasts - with the added twist of Olympus's Art Filters technology. Olympus's latest in-camera processing and emulation system, Art Filters serve up six photo effects, including filters mirroring the look of shooting with a pinhole camera, a soft-focus filter, or on high-speed monochrome film. A complete list of the camera's shooting options is as follows:

* Auto: Camera selects all exposure values
* Program: Auto exposure mode with user control for flash settings, metering mode, etc.
* Shutter Priority: User selects shutter speed, and camera calculates aperture for correct exposure
* Aperture Priority: User selects aperture, and camera calculates shutter speed for correct exposure
* Manual: User selects both aperture and shutter speed
* Scene: Five scene presets - landscape, portrait, macro, action, and night portrait - each have their own position on the mode dial
* ART/SCN: Eleven additional scene presets, as well as the aforementioned art filters, are accessed via a menu from this position

Like most DSLRs, if you're looking for fun things to do with your photos in playback, you won't find those options on the E-620. Overall, while the camera's overall shooting experience clearly targets both enthusiasts and general consumers, the E-620's complex heads-up displays, many custom setup functions, and button-rich control layout will find more appeal with (and, at times, engender less frustration among) a slightly more serious and savvy set of photographers. At the E-620's price point, this camera serves up a whole lot of advanced tech, and while this is certainly a boon for serious shooters (especially those with a preexisting investment in Olympus gear), it also presents a steeper learning curve at the outset for shooters coming over from other systems or moving up from a point-and-shoot.

Display/Viewfinder
Comparing the E-30's 2.7 inch, 230,000 dot LCD to the simply fantastic screens on competitors like the Nikon D90 and Canon EOS 50D, we felt a little like Olympus had brought the proverbial knife to a gunfight. If the E-30's HyperCrystal II LCD was a little overmatched in the prosumer class, it's much easier to find praise for this same display on the E-620, compared to other entry- and mid-level consumer models. Specs are in keeping with current expectations in this group, and as before, the screen remains fluid in live view mode, and contrasty and vibrant everywhere else.

PERFORMANCE
On the surface, the E-620 appears to take one of our favorite approaches to the problem of designing a consumer DSLR: offer a compact but feature loaded camera at a price that's low enough to keep the model squarely out of serious enthusiast territory - which is to say, well under $1000. Users may have more choice than ever in the "step up" entry-level realm these days, but with so much technology carried over directly from the E-30, we approached the E-620 with the assumption that it would be a powerful camera fit for serious shooters, in spite of its size.

Shooting Performance
With performance numbers roughly equivalent to what we saw from the E-30 in most respects, the E-620 didn't top the list in terms of speed. No doubt the slower focusing 14-42mm kit lens played a role in the differential between the E-30 and the E-620 in our "straight from the box" AF tests. At the same time, there's a lot of solid performance to work with here.

CONCLUSIONS
When we reviewed the E-30, we liked just about everything about the camera - except the price. When the E-620 came along, it seemed like exactly the answer we - and, we're betting, a lot of other shooters - are looking for: the E-30's creative advantages for casual shooters and those who don't relish the thought of hours of post-processing, in a camera that's more in line with what your typical student or advanced family photographer is willing to shell out. Likewise, shooters with an investment in Olympus who want to see what the bulk of Olympus's new creative technologies are all about without making the major investment that the E-30 represents now have a low-cost alternative to consider.

It's in no way a sleight on the E-620 to say that this camera could fairly be marketed as "E-30 Lite." Even in an industry where we're used to derivative models and trickle-down technology, the E-620 impressed with just how closely its performance - from shooting speed to image quality - aligned with what we saw from the much more expensive parent model. The E-620 may not have an edge on its strongest competition in measures of raw performance, but with quick continuous shooting, a boatload of processing controls, a full complement of Olympus's latest creative features, and the ability to get plugged in with Olympus's legendary lenses, the E-620 also has some advantages that no competitor can match.

No, there's no video capture, and novice shooters may balk at the camera's many features and modes. But if you're a current Olympus system user, this might just be the backup body you've been waiting for.

Pros:

* E-30 technology for under $1000
* Very nice kit lens
* Creative features are fun, useful
* Wireless flash control is excellent

Cons:

* AF performance is hit or miss
* Live view experience still not perfect
* Noisier at high ISOs than competition

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Olympus Stylus Tough 6000 First Thoughts

The Olympus Stylus Tough-6000 is a semi-rugged digital camera designed for people who might destroy a normal camera. It offers shock resistance from falls up to 5 feet, a waterproof case to a depth of 10 feet, and still functions in temperatures as low as 14F. Sporting a wide angle zoom lens, dual image stabilization, and a 10 megapixel sensor, Olympus wasn't skimping on features with this durable camera. For our first thoughts piece, we'll take a look at how well this camera performs in not-so-normal operating conditions.

Rugged Case
Olympus designed the case for the Tough-6000 from the ground up with durability and ruggedness in mind. All ports and access panels are fully gasketed to prevent water intrusion, with the release clips mounted slightly recessed so you don't accidentally open one of them while the camera is in use. The case feels very durable in your hands, with no hint of flexing or creaking when you are holding it.

The plastics feel solid in combination with the stainless steel panels, although it is still comfortable to hold in your hand with the rounded edges. The camera uses a periscope style lens, instead of a telescoping lens which would make waterproofing much more difficult.

In our submersion tests the camera worked beautifully, capturing clear images and movies underwater. The flash gave odd results depending on how the light reflected off of the surface of the water, sometimes creating an overexposed or underexposed image. The microphone picked up underwater sounds clearly, but it was limited to clunks as our soda can bobbed in the water, not the surrounding voice.

User Interface
One concern with rugged cameras is how do you operate them if you are wearing gloves? With an operating range down to 14F, chances are you will have your fingers inside a mitten to shield them from the cold air. Olympus took this into consideration and included a tap recognition mechanism so you can hit the four sides of the camera to control different functions. Hitting the right side toggles through the flash settings, hitting the left side toggles the macro settings, hitting the top twice clicks OK, and hitting the bottom puts the camera into display mode.

Overall, our initial impression of the Olympus Stylus Tough-6000 is very positive. The camera feels solid and durable, takes reasonably high-quality photos in normal and abnormal conditions, and it doesn't cost an arm and a leg.

Stay tuned for our full review where we will continue our in-depth look at the Tough-6000.

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Canon Pixma Pro9500 Mark II Review

Canon is famous for offering series updates to its high-end imaging products rather than completely refreshing them. The latest example of this behavior? The Canon Pixma Pro9500 Mark II. A wide-format photo inkjet designed for working photographers, graphics pros, and serious hobbyists, the latest iteration of the Pro9500 builds on the original's success, with a ten-tank pigment ink system, borderless printing up to 13x19, and Canon's Ambient Light Correction system.

It all adds up to a serious printer with serious capabilities that should appeal to serious photographers or at least, to those who can spring for its serious price.

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